Saxophone

Eastman ETS652 52nd Street

Eastman · ETS652 52nd Street Bb Tenor Saxophone

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A vintage-styled professional tenor built with an unlacquered aged-brass finish and a steel wire inside the bell, a construction detail borrowed directly from pre-World War II saxophones.

Where available? About this instrument

About the Eastman ETS652 52nd Street

The 52nd Street's aged, unlacquered brass finish isn't purely cosmetic - Eastman uses thinner but harder brass than typical modern tenors, a metallurgical choice tied to the vintage tonal character the horn is built to evoke. The steel wire inside the bell is a direct callback to pre-war saxophone construction, a detail largely abandoned by modern manufacturers that Eastman specifically reintroduced to chase the response and resonance older horns are prized for.

A large bell and rolled-style tone holes support a broad, centered tone across the range, while hand engraving on the neck and bell - including a scene depicting the jazz history of 52nd Street itself - reflects the instrument's explicit design intent: not a generic professional tenor, but one built around the vintage American tenor sound associated with that stretch of jazz clubs. Double-braced low C, B and Bb keys and Italian leather pads round out a build aimed at players chasing that specific historical voice.

Where to buy

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Sound character of the Eastman ETS652 52nd Street

The unlacquered aged-brass finish and internal steel bell wire - a construction detail borrowed directly from pre-World War II saxophones - are chosen specifically to recreate the darker, more complex, less bright overtone structure of vintage tenors compared to a modern lacquered horn.

Dark Vintage-voiced Resonant

Technical data for the Eastman ETS652 52nd Street

Finish Unlacquered aged brass
Bell Large, hand-engraved, steel wire reinforced
Tone holes Rolled-style
Pads Italian leather

The history of the Eastman ETS652 52nd Street

Eastman built the 52nd Street tenor to evoke pre-war American saxophone construction and tone, naming it after the New York jazz-club street associated with that era's tenor sound.

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